BFI marks 50th anniversary of landmark in LGBT rights with major film and TV programme
Most of us have relatives who will remember when homosexuality was a criminal offence. Fifty years is really no time at all, and yet LGBTI rights have come a long way since the Sexual Offences Act of 1967.
Over the coming months, the British Film Institute will commemerate the 50th anniversary, and they have quite the lineup.
You can find out more on the BFI website
BFI Announces Full Programme to Mark 50th Anniversary of the Sexual Offences Act
The BFI today announces its full programme marking the 50th
anniversary of the Sexual Offences Act 1967 from June onwards. This includes a
major two month film and TV season GROSS INDECENCY and a one
month JOE ORTON season at BFI Southbank, a new online BFI
Player collection LGBT BRITAIN ON FILM, a UK-wide
touring programme of archive film kicking off at Pride in
London, an international touring programme of classic LGBT shorts from
directors including Derek Jarman, Isaac Julien and Terence Davies and a new BFI
release of Stephen Frears’ and Hanif Kureishi’s groundbreaking Oscar nominated My
Beautiful Laundrette (1985) on Blu-ray for
the first time.
Though the ’67 Act, which saw the partial
decriminalisation of male homosexuality in England and Wales, didn’t put a stop
to persecution, it was a step forward in a climate of fear and ignorance. The
films and television programmes presented reveal Britain’s pioneering yet
problematic relationship with on-screen homosexuality.
BFI Southbank will host a major two month film
and television season from 1 July – 31 August; GROSS
INDECENCY will span two decades from the late 50s, around the time of
the Wolfenden Report, to the late 70s. Sheffield Doc/Fest will
offer a sneak preview of the season with a Drag Double-bill capturing
the UK drag scene of the late 60s, from the northern drag circuit to London’s
legendary Royal Vauxhall Tavern. Also taking place at BFI Southbank in August
will be a season dedicated to the masterful JOE ORTON, a playwright
and author whose work was imbued with themes of sex, death and homoeroticism,
and whose life was cut brutally short when he was murdered in 1967. As part of
the BFI’s ongoing Britain on Film project, there will be a new
online collection of films available to view on BFI Player from 1 June; LGBT
BRITAIN ON FILM will comprise more than 50 films, shorts and features,
fiction and documentary, looking at LGBT life in the UK.
The BFI will also partner with the Independent
Cinema Office (ICO) to present a feature length compilation of
material drawn from the BFI National Archive in partnership
with the Media Archive for Central England (MACE). The curated
programme will launch on Tuesday 27 June as part
of thePride in London Festival before touring cinemas and community
groups nationally. The BFI will also take part in the PRIDE parade on the Saturday
8 July with a BFI Pride Bus. Hanif Kureishi and Stephen
Frears’ groundbreaking Oscar®-nominated drama My Beautiful
Laundrette (1985) will be presented on Blu-ray in the UK for the
first time, released by the BFI on 21 August. Internationally,
the BFI will partner with the British Council to present a touring
programme of classic British LGBT features and shorts including films by Derek
Jarman, Terrence Davies, Isaac Julien, Bill Douglas, Ron Peck and John Maybury.
GROSS INDECENCY – TWO MONTH SEASON AT BFI
SOUTHBANK (JULY – AUGUST)
British cinema boasts a long history of
carefully coded queers, but taboo-busting gathered steam from the late 1950s.
The two-month season GROSS INDECENCY: QUEER LIVES BEFORE AND AFTER THE
’67 ACT spans two decades, bracketed by the 1957 Wolfenden Report and
the onset of AIDS. A highlight of the season will be a screening of Daisy
Asquith’s Queerama (2017), the World Premiere of
which will open this year’s Sheffield Doc/Fest. Created from
historical footage held by the BFI National Archive, Asquith’s film
tells the story of gay life in Britain since the end of the First World War, taking
us into the relationships, desires, fears and expressions of gay men and women
throughout the 20th Century, against a soundtrack that includes John
Grant, Goldfrapp and Hercules & Love Affair. Also included in the
season will be special previews of BBC documentary The People’s
History of LGBT+ (2017) and new drama The Man in the
Orange Shirt (BBC, 2017).
Part one of the season in July looks at the
lead-up to the Act, notable for the cinematic milestone Victim (Basil
Dearden, 1961), which will be re-released by Park Circus on Friday 12
July and screen on extended run during the season. Victim denounced
the poisonous, institutionalised homophobia gay men of all classes faced, and
cleverly packaged the politics within an accessible crime-thriller. The film,
and Dirk Bogarde’s courageous appearance in it, helped propel public discourse
towards the 1967 Act and beyond – changing lives in the process. This period
also saw major progress on the small screen. Britain’s earliest surviving
gay TV drama South (Play of the Week, Granada
Television, 1959), starred Peter Wyngarde as Lt Jan Wicziewsky, who visits a
southern plantation as the American Civil War looms; Peter Wyndgarde will
take part in a Q&Afollowing a screening of the drama on Monday
3 July. The season will be launched with a screening of On
Trial: Oscar Wilde (Granada Television, 1960), the gripping
recreation of one of the most infamous trials in British legal and queer
history. The screening will be followed by a stimulating discussion with
experts who will explore the significance of Wilde as a queer historical icon
and discuss the role of TV and film in shaping public moral attitudes towards
homosexuality in the UK. Other highlights of part one will be two provocative
BBC documentaries broadcast just weeks before the legislation was passed (Consenting
Adults 1. The Men and Consenting Adults 2. The Women), British
cinema’s first film to hint at a lesbian relationship The World Ten
Times Over (Wolf Rilla, 1963) and a story of ‘Romeo and Romeo in
the south London suburbs’ The Leather Boys(Sidney J Furie,
1964).
Part two in August will focus on television and
film made after the Act, showing that it was a double-edged sword in its effect
on real lives and on depictions of the LGBT community. Queer London was
reimagined to misanthropic, even exploitative effect on foreign soundstages for The
Killing of Sister George (Robert Aldrich, 1968) and Staircase (Stanley
Donen, 1969); a world away from the tender bisexual love triangle of Sunday
Bloody Sunday (John Schlesinger, 1971). We hope to welcome star of Sunday
Bloody Sunday Glenda Jackson to take part in a Q&A following
a screening of the film in August. TV mined the drag renaissance for anarchic
performances and we’ll screen some of the best in a special drag
double-bill of the riotous What’s a Girl Like You… (LWT,
1969) and Black Cap Drag (Dick Benner, 1969); the
screenings will be followed by an after-party in BFI Southbank hosted by
alternative queer East End night-spot The Glory. Audiences will
also be able to see television’s first gay kiss between Ian McKellen and James
Laurenson in the BBC’s broadcast of the Prospect Theatre Company production of
Christopher Marlowe’s Edward II (BBC, 1970),Two
Gentlemen Sharing (Ted Kotcheff, 1969) featuring a rare black gay
character, and I Want What I Want (John Dexter,
1972), which saw cinema highlight trans issues. In 1975, Quentin
Crisp put queerness on our cultural radar and the season will feature
a screening of the newly remasteredThe Naked Civil Servant (Thames
TV, 1975) starring the late John Hurt, as well as a screening of
documentary World in Action: Quentin Crisp. Completing this
survey, as the tragedies and triumphs of the 80s beckoned, will be Britain’s
first explicitly gay feature film Nighthawks (Ron Peck,
Paul Hallam, 1978).
JOE ORTON SEASON (AUGUST)
Original, controversial and obscenely witty,
these are just some of the descriptions used to reference the work of
playwright Joe Orton. Like all great geniuses, Orton was ahead of
his time, as the initial failure of the theatre production of Loot attests (the 1970
film version will screen here), but as the austerity of the 50’s gave way to
the sexual revolution of the 60’s, his work caught the spirit of the age.
Ruthlessly exposing the hypocrisies of the establishment his delight in causing
offence is palpable in every play, but always harnessed to a razor sharp wit
and purpose. Across the TV plays and films presented in this season it is
possible to chart his ever growing mastery of both stage and screen as he sets
out his overriding themes of sex, death and homoeroticism from their first incarnations
in The Ruffian on the Stair (ITV, 1973) to his
perfectly formed last great masterpiece What the Butler Saw (BBC,
1985). 50 years since Orton’s bizarre murder that so strangely mirrored the
world of his plays, he deserves reassessment as a most singular talent.
The season will include an extended run of
Stephen Frears’ Prick Up Your Ears (1987), re-released
on Friday 4 August by Park Circus and starring Gary Oldman,
Alfred Molina and Vanessa Redgrave. Based on the life of Orton and his
relationship with Kenneth Halliwell (his lover who ended up killing Orton), the
screenplay was written by Alan Bennett and won acclaim on its initial release,
including the prize for Best Artistic Contribution at Cannes in 1987. Other
titles screening in the season will include Funeral Games (ITV,
1968), Entertaining Mr Sloane (Douglas Hickox, 1970)
and anArena documentary Genius Like Us A Portrait of Joe
Orton (BBC, 1982).
LGBT BRITAIN ON FILM
LGBT life is explored in an online collection
of over 50 newly digitised archive film and television titles taken from the
BFI National Archive and other regional archive partners. LGBT Britain
on Film will be made accessible to audiences in the UK via the
BFI Player, with many titles free to view. These newly digitised titles
from 1909 through to the mid-1980s, span film and television drama,
documentary, current affairs and amateur footage. The collection includes Miss
Norah Blaney (1932), where the pioneering lesbian music hall star
performs ‘Masculine Women and Feminine Men’, andDavid is Homosexual (1978),
a new BFI National Archive acquisition. This Super8 educational
film made by the Lewisham branch of the Campaign for Homosexual Equality (CHE)
follows David and the support he receives in coming out as well as featuring
rare footage of the 1976 Gay Pride march in London.
ITV’s leading current affairs TV slot, This
Week, broadcast two groundbreaking LGBT documentaries; This Week:
Homosexuals (1964) and This Week: Lesbians (1965).
This was the first time that the topic of homosexuality was directly addressed
on British television, including interviews with gay men and women about their
experience of social ostracism, miserable marriages and homophobia, as well as
some tales of contentment. Although presented through a conservative lens,
these documentaries marked a broadcast watershed moment in representation, and
a major step for visibility.
LGBT Britain on Film also includes material
from the Yorkshire Film Archive (YFA); We Who Have
Friends (1969), looking at contemporary views on homosexuality and
gay life in Leeds and London in the wake of the Sexual Offences Act, plus from Media
Archive for Central England (MACE); What Am I? (1980), a
very rare regional television documentary about the life of a trans woman and Gay
Black Group (1983), exploring the formation of the landmark group
in gay black history, featuring interviews with members about their experience,
including filmmaker Isaac Julien. All of these archive offerings will be available
to view on the BFI Player from June alongside contemporary queer hits
such as Weekend (Andrew Haigh, 2011) and classic LGBT
shorts and features including the work of Derek Jarman, Terence
Davies and more.
The Independent Cinema Office (ICO) will
tour a special feature length compilation of archival material from LGBT
Britain on Film to cinemas and community groups nationally, in partnership with MACE,
launching with a special screening at Pride in London Festival on Tuesday
27 June.
MY BEAUTIFUL LAUNDRETTE
Presented on Blu-ray in the UK for the first
time, Hanif Kureishi’s and Stephen Frears’ Oscar®-nominated, My
Beautiful Laundrette (1985) will be released by BFI as a Dual
Format Edition on Monday 21 August. Their first film
collaboration, Kureishi and Frears’s cross-cultural gay love story starring
Gordon Warnecke and Daniel Day-Lewis was a cultural landmark of Thatcher-era
film representing South Asian British experience on screen.